Carolyn Porter | Typography
Learn more about the book "Marcel's Letters" and the font P22 Marcel Script, which is based on the handwriting of conscripted WWII laborer Marcel Heuzé
Carolyn Porter, Marcel Heuzé, Marcel's Letters, Handwritten Letters, World War II, P22 Marcel, Typography, Love Story, Reunion, Daimler, Berlin, Marienfelde, STO, Forced Labor, Service du Travail Obligatoire, WWII
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In Praise of Colophons

In Praise of Colophons

 

Just when I think I’m finished reading my book,
I turn the last page and find that the lettering
of this softened paperback was first cut
by a monk in 1739, just off the Northern coast
of France. How delightful, this production
by the sea——no talking, only the small splashes
of wave against rock, a plover’s squawk,
the metal plink of each letter into the carriage.

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Honored to be included in “Freehand: New Typography Sketchbooks”

Two years ago, Steve Heller invited me to submit images of my type sketchbook. I loved how he didn’t ask whether I had a type sketchbook, rather he assumed I did. It was an honor to share images, but also a bit scary as I’ve never shown my sketchbook to anyone before. After submitting the images and answering a few questions about materials and process, I didn’t hear a word. To be honest, I wasn’t sure if anything ever came of the project.
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Directions to license and download the font P22 Marcel Script

Recently several people have asked me questions about licensing the font Marcel. Some people had never licensed a font before; others tried but were confused by the font file options or license types. It’s true—the process can be daunting—even for those of us who have licensed fonts before! The goal of this blog is to explain the process, and to make it as easy as possible to license the font based on the handwriting of Marcel Heuzé.READ MORE

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  • Carolyn Porter's 2012 TypeCon Type Crit, Milwaukee, WI
  • Carolyn Porter's 2012 TypeCon Type Crit, Milwaukee, WI, focus on John Downer
  • Carolyn Porter's 2012 TypeCon Type Crit, Milwaukee, WI, focus on Akira Kobayashi

2012 TypeCon Type Crit: Photo Evidence!

Photos: 2012 TypeCon Type Crit. Akira Kobayashi reviewing the test print.
Intense stares from John Downer and Roger Black (just looking at this photo brings about a wave of anxiety).
©May Chung

 

Several weeks ago, at the ATypI conference in Montreal, I met a delightful woman named May Chung; May is design professor at Nova Scotia College of Art and Design. I don’t recall how we happened upon the topic, but we ended up talking about the 2012 TypeCon conference in Milwaukee. I mentioned I had participated in the Type Crit that year. May’s eyes lit up. She said she watched those critiques, though she didn’t remember the specifics of my critique (…why would she?!). May was holding a big SLR camera in her hand, and I asked her if she had, by chance, taken any photos during the 2012 Type Crit. Yes, she told me, she was certain she had photos from the 2012 Type Crit—though she made no promises whether she had taken any photos of me or during my critique.

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Dissecting the book cover

The book cover has been finalized! I’m delighted with the final product and am grateful for the work of the cover designer, Erin. I’ve heard people remark they like it; that it has “shelf-appeal.” What people may or may not understand by quickly glancing at the cover, though, is that it has specific design elements that work hard to tell its story.READ MORE

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A Reunion with my Letterform Instructor

A few months back, the Director of the School of Art & Design at UW-Stout in collaboration with the AIGA student board, asked me to give a presentation on my design career. I was happy to oblige. Part of the presentation was on graphic design work, but I also talked about the development of the font P22 Marcel. I was thrilled that my Letterform instructor, Bill DeHoff — the person who first introduced me to the beautiful art of typography — attended the presentation.

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