Carolyn Porter | Typography
Learn more about the book "Marcel's Letters" and the font P22 Marcel Script, which is based on the handwriting of conscripted WWII laborer Marcel Heuzé
Carolyn Porter, Marcel Heuzé, Marcel's Letters, Handwritten Letters, World War II, P22 Marcel, Typography, Love Story, Reunion, Daimler, Berlin, Marienfelde, STO, Forced Labor, Service du Travail Obligatoire, WWII
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2012 TypeCon Type Crit: Photo Evidence!

Photos: 2012 TypeCon Type Crit. Akira Kobayashi reviewing the test print.
Intense stares from John Downer and Roger Black (just looking at this photo brings about a wave of anxiety).
©May Chung

 

Several weeks ago, at the ATypI conference in Montreal, I met a delightful woman named May Chung; May is design professor at Nova Scotia College of Art and Design. I don’t recall how we happened upon the topic, but we ended up talking about the 2012 TypeCon conference in Milwaukee. I mentioned I had participated in the Type Crit that year. May’s eyes lit up. She said she watched those critiques, though she didn’t remember the specifics of my critique (…why would she?!). May was holding a big SLR camera in her hand, and I asked her if she had, by chance, taken any photos during the 2012 Type Crit. Yes, she told me, she was certain she had photos from the 2012 Type Crit—though she made no promises whether she had taken any photos of me or during my critique.

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Dissecting the book cover

The book cover has been finalized! I’m delighted with the final product and am grateful for the work of the cover designer, Erin. I’ve heard people remark they like it; that it has “shelf-appeal.” What people may or may not understand by quickly glancing at the cover, though, is that it has specific design elements that work hard to tell its story.READ MORE

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A Reunion with my Letterform Instructor

A few months back, the Director of the School of Art & Design at UW-Stout in collaboration with the AIGA student board, asked me to give a presentation on my design career. I was happy to oblige. Part of the presentation was on graphic design work, but I also talked about the development of the font P22 Marcel. I was thrilled that my Letterform instructor, Bill DeHoff — the person who first introduced me to the beautiful art of typography — attended the presentation.

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