Carolyn Porter | Carolyn Porter: Blog
Learn more about the book "Marcel's Letters" and the font P22 Marcel Script, which is based on the handwriting of conscripted WWII laborer Marcel Heuzé
Carolyn Porter, Marcel Heuzé, Marcel's Letters, Graphic Design, Font Design, P22 Marcel Script
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June 2, 1944: “I must be strong and have patience and hope that the beautiful days will arrive soon”

Mr. and Mrs. Albert Roumieu
Bar sur Loup, close to Grasse, Maritime Alps, France

Ludwigshofen, June 2, 1944

 

My very dear parents,

I’m sending you these few words to share some of my news. First of all, I can tell you that we are all in good health and I hope that this letters will find you the same, my dear parents, as well as the Fécaud and Giordamanga families. READ MORE

19 Months in Quarantine: Louise Dillery’s Tuberculosis Story

Photos from Louise Dillery’s private collection.

“I’m bored.” Louise spells out the word for emphasis as she laughs: “B–O–R–E–D.” The remark does not come across as a complaint, just a statement of fact.

Louise Dillery is 94 years old. She understands why she can’t have in-person visitors or go out and get her hair done. She doesn’t feel compelled to break the rules. She knows the stakes of COVID-19 and what it will take to get through this. This is, after all, not the first time she’s been forced to stay inside: nearly seven decades ago, Louise spent 19 months quarantined inside St. Paul’s Ancker Hospital.READ MORE

Everything Old is New Again

Have you seen the ten-year photo challenge that’s making the rounds on social media? It’s where you place a photo of yourself from a decade ago next to a recent photo of yourself to see how much—or little—you’ve changed. The side-by-side photos that have filled my social media feed combined with the oh-so-many articles encouraging people to reflect on the last decade got me thinking.READ MORE

Book income analysis

Let me start by noting the primary motive for publishing Marcel’s Letters: A Font and the Search for One Man’s Fate was not to make money—it was to tell the story of the design of the typeface and share the contents of Marcel’s incredible love letters.

That being said, I didn’t seek to lose money in the process either.

READ MORE